Monday, November 24, 2008

Masonic Fountain Pen

Pictured to the left is a fountain pen, decorated with Masonic Symbols, that I recently purchased.

Here's a mini review:

The asking price is $70.00, which I think is a tad too much, $50.00 seems to me to be more reasonable. However, I was amazed at the smoothness of the nib and the consistent ink flow. I have more expensive pens that do not write this well. The smoothness of the nib and the ink flow justifies the asking price. No matter how great a pen looks, if it doesn't write well it's not worth the investment.

The pen has many Masonic symbols engraved on the cap, clip, barrel and nib, most of which can not be seen in the photo. The symbols include the following:

Twenty-four inch Gage
All Seeing Eye
Sprig of Acacia
Skull & Bones
Pentacle surrounded by an Ourobouros
Rough & Smooth Ashlars
Hour Glass
47th Problem of Euclid

The Square and Compasses are engraved on the nib along with the words Master Mason. The Square and Compasses can also be found on the clip with the words Master Mason encircling the cap band.

The pen has a nice heft but is not fatiguing to write with for long periods. Whether you purchase it for yourself or as a gift you will not be disappointed.

The site has other Masonic pens and paraphernalia for sale.

Click here: to explore the site.

Have Pen, Will Write


Clifford Jacobs

Wednesday, November 19, 2008


I can't remember which of Kubrick's films I saw first. I think it was Dr. Strangelove but it was probably Spartacus, although at the time that I saw Spartacus I had no idea of what a film director did and I had even less knowledge of Stanley Kubrick. But one afternoon, while at home, I watched Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb on television. It was the funniest nightmare that I'd had ever experienced. When the movie was over I asked myself: "What mad genius is responsible for this vision?" For the first time I became aware of Stanley Kubrick and the role of the director in the making of a movie. I do subscribe to what the French call the Auteur Theory of film, which is to say that a director is responsible for a movie like an author is for a novel. And Kubrick is certainly the master of his own voice and vision.

When I learned that Kubrick's next movie would be 2001: A Space Odyssey, I quickly ordered my tickets through the mail so I could see it the day it opened. Once again Kubrick took me on a journey that I was all too willing to go on. I trusted Kubrick as a director and, intellectually, I followed him wherever he wanted to go. I've seen 2001: A Space Odyssey 27 times in a movie theatre and each viewing brings a new revelation - that's Kubrick for you.

Stanley Kubrick only made a baker's dozen of films, more or less, but each one has become a classic in its own right, although at the time of their release his films were often met with negative criticism. His major films are:

1.Fear and Desire (1953)
2. Killer's Kiss (1954)
3. The Killing (1956)
4. Paths of Glory (1957)
5. Spartacus (1960)
6. Lolita (1962)
7. Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb (1964)
8. 2001 : A Space Odyssey (1968)
9. A Clockwork Orange (1971)
10. Barry Lyndon (1975)
11. The Shining (1980
12. Full Metal Jacket (1987)
13. Eyes Wide Shut (1999)

Although Kubrick worked in different genres, one can find common themes in all of his films. One of the important ideas that I've been able to discern is that people, and sometimes machines, are often over programmed to the point of self destruction. HAL, the computer in 2001, is over programmed, as is Alex in A Clockwork Orange, Jack Nicholson is metaphysically over programmed by the haunted Overlook Hotel in The Shining, Private Pyle, in Full Metal Jacket, succumbs to the over programming of Marine boot camp and kills himself. And in Eyes Wide Shut, Tom Cruise over programs himself with lustful thoughts about himself and his wife.

Kubrick, in my opinion, uses film to put forth his ethos. When I read Stephen King's The Shining, I was excited to know that it was Kubrick's next project as I really enjoyed the book. When I saw the film I was disappointed because a lot of the book was not brought to the screen; for a moment I felt cheated. Later, while talking with a friend, he said to me, "Cliff you went to see a film of a Stephen King novel watch it again as a Stanley Kubrick film, it's his commentary on the nuclear family." He was so right. Kubrick's Shining has little to do with Stephen King and everything to do with Kubrick (with whom he just happens to share the same monogram.)

Every Kubrick film has a scene that takes place in or just outside a bathroom. From the Zero Gravity toilet in 2001 to the death of Private Pyle at the end of the first act of Full Metal Jacket to the ghosts of the dead that Nicholson confronts in The Shining. I'm not going to point them all out to as it will ruin the fun of discovering them on your own.

Finally, I loved the way Kubrick used music in his films. He used source music almost exclusively with the exception of Full Metal Jacket where an original score was composed. The composer Alex North was asked to compose an original score for 2001, but Kubrick abandoned the idea in favor of Strauss, Ligeti, Khachaturian and others. And of course he worked closely with Wendy Carlos on the scores to A Clockwork Orange and The Shining. For the most part Carlos reworked the classics through her Well Tempered Synthesizer, but she did, occasionally, compose original music.

When Stanley Kubrick died in 1999 I was saddened by his passing. I felt as though I grew up with him or at least his films, and there would never be another Stanley Kubrick film . His movies were very important to me during my formative years. His films made me think about life, love, war, death, happiness and the future of civilization. Heavy subjects for a teen to ponder but I'm all the better because Kubrick caused my eyes to be opened wide.

Clifford Jake Jacobs
Have Pen, Will Write